Post-production
in Istanbul.
We shape the story, complete colour and sound, and prepare the film for its agreed release channels.
The stage that turns captured material into the right film.
Post-production begins with the brief, script and intention behind the shoot. We review the material, identify the moments that carry the film and build the first edit around them.
We work across commercial, corporate, social, training and animation projects. Supplied footage can be reviewed before work begins, with technical risks and missing material made clear early.
01 Offline and online editing
Story structure, alternative edits, clean-up, screen copy and high-resolution finishing.
02 Colour grading
Colour consistency across cameras and scenes, with a final look suited to the story and brand.
03 Sound design and mix
Dialogue clean-up, music balance, atmosphere, effects and release-ready mixes.
04 Motion graphics
Titles, lower thirds, data screens and product information in the brand’s visual language.
05 VFX and clean-up
Visual effects and image clean-up applied only where the film needs them.
Post-production scope
Some projects need an edit; others need every layer of the film rebuilt. The scope follows the material and release need.
Which deliverables can come from one film?
We define where the work will be used, the required formats and the delivery schedule from the start.
From one film,
prepare the right files for each use.
We plan the main film, short versions, vertical video and release files together at the start of the project.
Share your brief → How the post-production process works
We address scattered feedback and unclear file handling before they extend the review cycle.
Material review and edit plan
Footage, audio, graphics and brand files are checked before the delivery list and edit order are set.
First edit and narrative decision
The first version makes the story, rhythm, message order and duration visible before finishing details take priority.
Finishing
Once the edit is locked, colour, sound, motion, VFX and subtitles are completed and checked.
Versions and archive
Approved masters can be prepared in agreed shorter, vertical or language versions with clear delivery notes.
One team / Clear approvals / Multiple deliverables A well-prepared plan creates a calm pace on set and an orderly process without surprises in the final delivery.
Teams this service is right for
These are the working models that most often need this service. The scope becomes clear as the project goal and use case are defined.
Brands with captured footage
Teams with material ready but without an edit and delivery partner.
High-volume content teams
Teams that need multiple channel and language versions while maintaining order and quality.
Production and advertising agencies
Agencies looking for an edit, colour, sound and motion finishing partner.
Istanbul & Turkey projects
Productions planned from Istanbul, with the crew, location and delivery plan defined around the project where required.
Questions before starting.
01Can you work with footage shot by another team?+
Yes. We first review the footage and audio technically, then flag issues that could affect the final film.
02How is feedback managed?+
We recommend consolidated, time-coded feedback and distinguish agreed edit changes from new creative requests.
03Can raw project files be delivered?+
Archive delivery depends on scope and transferable licences for music, footage, fonts and plug-ins.
04Can we commission only colour or sound?+
Yes. A locked edit can receive colour, sound, subtitles or versioning as a defined scope.
Let’s discuss what
your video needs.
Share your goal, where the video will be used and the timing. We can clarify the right scope and next step together.
